Calling all restorers

Robert Medley — Tue, 15 Apr 2008 13:26:39 +0000

Restoration experts are hard to find if you are an antique horn collector. Looking at it from the perspective of the restorer, he/she wants do make a profit from their skills and the more they can do in a day, the more money they can earn. The time spent in making parts for instruments made over a century ago can take time and skill, and the ability to do research before attempting restoration. If you know collectors like I do, they want the instrument to play like they were new and the cost of repair to be minimal.

Most museums have their own in house restoration expert, a situation the private small collector does not enjoy. So, where does the little guy go when a restoration is needed? Most music stores will laugh you right out the door and consider you a waste of their time. I think European collectors have a better chance of finding a skilled restorer and linking up with them. Sending your horn across the waters to be restored can be risky business.

There is, in the United States the problem of finding an “instrument repair person” why wants to restore your instrument to “like new condition” and actually overdo a restoration with polish and lacquer.

This is that spot between a rock and a hard place that the American collector finds himself in.

Any ideas out there?

Antique Horns » museums

Calling all restorers