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	<title>Antique Horns &#187; conditioning</title>
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	<description>A blog about antique musical instruments</description>
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		<copyright>2006-2007 </copyright>
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		<title>Calling all Restorers</title>
		<link>http://antiquehorns.com/2008/04/15/calling-all-restorers-2/</link>
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		<pubDate>Tue, 15 Apr 2008 12:00:00 +0000</pubDate>
		<dc:creator>Robert Medley</dc:creator>
				<category><![CDATA[Restoration]]></category>
		<category><![CDATA[conditioning]]></category>
		<category><![CDATA[repair]]></category>

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Restoration experts are hard to find if you are an antique horn collector. Looking at it from the perspective of the restorer, he/she wants do make a profit from their skills and the more they can do in a day, the more money they can earn. The time spent in making parts for instruments made [...]]]></description>
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<p>Restoration experts are hard to find if you are an antique horn collector. Looking at it from the perspective of the restorer, he/she wants do make a profit from their skills and the more they can do in a day, the more money they can earn. The time spent in making parts for instruments made over a century ago can take time and skill, and the ability to do research before attempting restoration. If you know collectors like I do, they want the instrument to play like they were new and the cost of repair to be minimal.</p>
<p><img src="images/stories/vienna%20valve%20trumpet%20by%20julius%20hell%20in%20wien%20005.jpg" border="0" alt="" align="right" /> </p>
<p>Most museums have their own in house restoration expert, a situation the private small collector does not enjoy. So, where does the little guy go when a restoration is needed? Most music stores will laugh you right out the door and consider you a waste of their time. I think European collectors have a better chance of finding a skilled restorer and linking up with them. Sending your horn across the waters to be restored can be risky business.</p>
<p>There is, in the United States the problem of finding an &ldquo;instrument repair person&rdquo; why wants to restore your instrument to &ldquo;like new condition&rdquo; and actually overdo a restoration with polish and lacquer.</p>
<p>This is that spot between a rock and a hard place that the American collector finds himself in.</p>
<p>Any ideas out there?</p>
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