Three frequently asked questions
September 19, 2008 by Robert Medley
Filed under Brass, Collecting, Restoration
Most of the inquiries we receive from folks who find a horn in the attic or buy it at a flea market or rummage sale fall into three categories.
1) What is it?
2) Can it be repaired?
3) How much is it worth?
Since we are not in the business of buying instruments, we cannot help with their next question, “how much will you pay me for it.” To help these folks with their questions, we are starting a “Buy and Sell” section where people will be able to list their instrument and deal directly with prospective buyers. This will be done for an low up front fee and the seller and buyer are on their own to hammer out a deal. After you list, we exit the picture and unlike eBay, have nothing further to do with the transaction. We will be happy to answer your first three questions, but please understand, we do not buy instruments.
Calling all Restorers
April 15, 2008 by Robert Medley
Filed under Restoration
Restoration experts are hard to find if you are an antique horn collector. Looking at it from the perspective of the restorer, he/she wants do make a profit from their skills and the more they can do in a day, the more money they can earn. The time spent in making parts for instruments made over a century ago can take time and skill, and the ability to do research before attempting restoration. If you know collectors like I do, they want the instrument to play like they were new and the cost of repair to be minimal.
Most museums have their own in house restoration expert, a situation the private small collector does not enjoy. So, where does the little guy go when a restoration is needed? Most music stores will laugh you right out the door and consider you a waste of their time. I think European collectors have a better chance of finding a skilled restorer and linking up with them. Sending your horn across the waters to be restored can be risky business.
There is, in the United States the problem of finding an “instrument repair person” why wants to restore your instrument to “like new condition” and actually overdo a restoration with polish and lacquer.
This is that spot between a rock and a hard place that the American collector finds himself in.
Any ideas out there?
Calling all restorers
April 15, 2008 by Robert Medley
Filed under Restoration
Restoration experts are hard to find if you are an antique horn collector. Looking at it from the perspective of the restorer, he/she wants do make a profit from their skills and the more they can do in a day, the more money they can earn. The time spent in making parts for instruments made over a century ago can take time and skill, and the ability to do research before attempting restoration. If you know collectors like I do, they want the instrument to play like they were new and the cost of repair to be minimal.
Most museums have their own in house restoration expert, a situation the private small collector does not enjoy. So, where does the little guy go when a restoration is needed? Most music stores will laugh you right out the door and consider you a waste of their time. I think European collectors have a better chance of finding a skilled restorer and linking up with them. Sending your horn across the waters to be restored can be risky business.
There is, in the United States the problem of finding an “instrument repair person” why wants to restore your instrument to “like new condition” and actually overdo a restoration with polish and lacquer.
This is that spot between a rock and a hard place that the American collector finds himself in.
Any ideas out there?
To restore or not to restore
March 21, 2008 by Robert Medley
Filed under Restoration
This Box Valve Cornet is For Sale
There are two schools of thought here and one most collectors have pondered at one time or another. The most difficult decision for me was when I had to decide what to do with my box valve cornet. I acquired it in 1970 at an antique shop in Illinois and since it looked so strange, I wanted to research box valves. I soon discovered that box valves are the rarest kind of valves and finding an instrument in a collection was almost impossible. In the early 1970s while visiting Germany, I found two instruments at a museum in Nuremberg that were made by the inventor of the box valve, Schuster, in the 1820s. From the U.S. Patent office, I acquired a copy of the Quimbey patent for horns they intend to make in the 1870, but in searching for box valved horns I discovered that there were very few in existence. One in a Museum in Rhineland Germany and another at the Shrine to Music in Vermilion S.D.
Since my instrument was incomplete (missing the lead pipe, one valve slide and one square valve mechanism, I had nothing to go on in completing the restoration. Finally, Byron Autrey attempted to recreate the missing 1st valve mechanism and was quite successful, but would not attempt further restoration as he had nothing to use as a model. Bob Pallansch in Virginia also would not attempt it for the same reason
I have finally given up my quest for restoration and I believe there are probably no more than ten existing horns with box (square) valves in collections today. So, this mission is unaccomplished unless there is someone out there with another example of a horn with box valves. The valve was invented by Schuster in the early 1820s and Quimbey was the last to market a successful horn. The box valve seems to have died a quiet death in 1870, never to be heard from again. Just another dilemma for a horn collector desiring a restoration.

